It`s hard to pin point what has been most influential in my work, so many things have contributed; inspiring tutors, places, materials, exhibitions like, ‘sensations’, artists, countryside; all of it blurs together. I can`t remember a time when I didn`t make, I always loved to use my hands and make. I remember being as young as seven and not being able to let go when drawing and painting, I could never finish anything, it felt too distant, but making was much more instinctive and playful. Making has always been about the materials and exploring them. When I had the confidence to turn away from painting at university and embrace ‘making,’ I started to construct miniature paper environments. I think I was being more true to myself and that was probably a turning point for my practice.

During my MA these environments became room sized installations and I started to experiment with different fabrics and textile techniques. I was always encouraged to keep sketch books by artists and inspiring tutors, which helped to allow me to play and experiment with materials. It somehow felt safe in a sketch book! After my MA at the RCA, I started to make jewellery, because I couldn`t afford a studio I focused on developing jewellery. I always have a sketch book to hand and it`s still about playing, experimenting and using materials in different ways.

I realised both my artwork and jewellery had a strong link through my love of craft. I received a grant from the Arts Council to develop and integrate these two disciplines together. This resulted in ‘The Talking Tower’ exhibition at Turton Tower. Since this exhibition, both practices have continued to influence and inform the other. This has also resulted in me becoming even more interested in developing work that responds to a certain environment or building.

In the last few years laser cutting has become part of my practice, so use laser cutting to create detailed miniature environments or pictures made from walnut, mount board, fabric etc and room sized laser cut environments.

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Artworks blog

The beginnings of a window installation…..

I`ve started making the work that will be installed in the large window at St Georges Gallery, as part of Project; Happiness. There isn`t much to see at the moment, but I want to keep documenting it as I go….


It`s made from laser cut mount board; this part is 100 cm in diameter.

Artwaves Festival 2019 Bridlington Spa

I had the opportunity to install my work at the beautiful Bridlington Spa building for the Artwaves festival in June.


The team there were amazing! It took 5 (some inside the dome!) to get the installation in the correct position.

The piece is made from layered laser cut mount board and tissue paper….




Artwaves commission…

I took the very long train journey to Bridlington today, (which was absolute bliss i might add)! There`s nothing like some mindless pinteresting, window gazing and THINKING! to while away three hours!

I`d never been to Bridlington or Brid as the locals call it….so I was really excited to visit the beautiful Bridlington Spa building, where my installation would be installed as part of the Artwaves 2019 festival. I had a really inspiring session with Don- thanks so much and to all the Artists; it really helped to bring about more clarity.

I can not tell you how excited I was when the AMAZING technical team told me it was possible to hang my installation above the beautiful dome! I expected them to tell me why it wasn`t possible but instead- a casual,”yeh”- like it was nothing!!

Here are some pictures of inspiration from the building and of course the dome…..I`ll be back to install the piece in June in time for the festival.







Researching Bolton Museums` collections….

I was really excited to spend an afternoon looking into the collections at the fabulous and newly opened Museum in Bolton. My daughter loves the museum….



The  purpose of my visit this time, was to plan an engaging workshop, using the beautiful collections, with a group of adult refugees.

I wanted to see what I most connected with and begin to think about how i can work with these collections to improve  well being. The building is beautiful, so I immediately felt inspired by the architectural details…


The painting room felt really peaceful; most of the space in the museum is full of exciting artefacts, so the painting room felt like a tranquil spot.


I was particularly drawn to this photograph and the painting below…..


something so ordinary, but so beautiful…


and this painting makes me feel quite dreamy, as if I am sitting on that chair. I was drawn to the printmaking, which inspired a seed of an idea to do a printing workshop for the refugees….I also was really inspired by the Botany collection, so thought the two might link together nicely. There is something very visceral about relief printing, so I thought this might be a way to engage a group, where there will be a lot of barriers to engagement.




There is also a miniature museum, with wooden people and museum stands to arrange, which I`d played with on visits with my daughter. Even the ceiling imitates the sky and there is a tree, as if in a park! It can`t fail to inspire and hopefully I can use it for other workshops linked with the collections.


There are such a lot of exciting things to see these were just some of my highlights.